In Claudia Rebeca’s work, she seeks to carry out a sensitive and material approach to certain anthropomorphic qualities that have been central to her practice in recent years. Anthropomorphism here is understood as a recognition of the formal aspects of sculpture, but through low-intensity figuration, which eludes direct representation and generates, through a process of abstraction, a relationship of continuity with the landscape.

Although her work includes a consideration of reality, the observation of everyday surroundings and the landscape, and even biographical aspects, the construction of the image or object arises from a material operation. Claudia Rebeca focuses her approach on a process of dialogue with the complexity of encounters and the symbolic materials generated throughout the development of her work. She acknowledges that her work carries elements of the totem, the mask, and makeup.