{"id":7039,"date":"2025-05-28T11:55:53","date_gmt":"2025-05-28T11:55:53","guid":{"rendered":"https:\/\/galeriabelmonte.com\/attention-collection-augusta-lardy-micheli-jonathan-llense\/"},"modified":"2026-10-28T12:39:44","modified_gmt":"2026-10-28T12:39:44","slug":"attention-collection-augusta-lardy-micheli-jonathan-llense","status":"publish","type":"post","link":"https:\/\/galeriabelmonte.com\/en\/attention-collection-augusta-lardy-micheli-jonathan-llense\/","title":{"rendered":"Attention, collection\u200a\/ Augusta Lardy Micheli\u200a\/ Jonathan Llense"},"content":{"rendered":"\n

In 2014 Nathalie Herschdorfer introduced at the Mus\u00e9e des Beaux-Arts in Le Locle a rotating seasonal programme which her successor since 2022, Federica Chiocchetti, continues to maintain. However, for the first time in a decade, an overview of the collection begun in 1862 is once again being presented, in a conscious, modern, non-hierarchical and ironic way.<\/a><\/strong><\/p>\n\n

In the main modern galleries, visitors encounter a relaxed display, laid out using an image-archive algorithm, that offers a cross-section of some 5,000 works. The collection’s focus since the 1950s \u2014international graphic art\u2014 appears on an equal footing alongside paintings by local protagonists such as Marguerite Sandoz-Jeanneret and Alexandre Perrier. Inkjet prints pasted directly onto the walls by Plonk et Replonk-B\u00e9bert, Ufuoma Essi and Virginie Delannoy parody iconographic and museum conventions.<\/p>\n\n

Two “cartes blanches” add further commentary<\/strong>, both on the collection and \u2014surprisingly and shrewdly\u2014 on the museum’s historic spaces, which have been reopened for the occasion:<\/p>\n\n

In the vaulted library, Geneva-born Augusta Lardy Micheli<\/strong> (*1994) responds to the local landscape tradition with examples of her very free, climate-conscious painting, which hang suspended from the ceiling.<\/p>\n\n

In the print room, dominated by half-height wood panelling and radiators, Paris-based Jonathan Llense<\/strong> (*1984) builds a site-specific installation with his photographs of bodies and bodily objects, along with busts from the collection and industrial objects. It unfolds around the pedestals and \u2014unusually and refreshingly\u2014 also in the lower part of the space.<\/p>\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

In 2014 Nathalie Herschdorfer introduced at the Mus\u00e9e des Beaux-Arts in Le Locle a rotating seasonal programme which her successor since 2022, Federica Chiocchetti, continues to maintain. However, for the first time in a decade, an overview of the collection begun in 1862 is once again being presented, in a conscious, modern, non-hierarchical and ironic […]<\/p>\n","protected":false},"author":3,"featured_media":5008,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[39],"tags":[],"class_list":["post-7039","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"acf":[],"yoast_head":"\nAttention, collection\u200a\/ Augusta Lardy Micheli\u200a\/ Jonathan Llense - Belmonte<\/title>\n<meta name=\"description\" content=\"In the vaulted library, Geneva-born Augusta Lardy Micheli (*1994) responds to the local landscape tradition with examples of her very free, climate-conscious painting, which hang suspended from the ceiling.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/galeriabelmonte.com\/en\/attention-collection-augusta-lardy-micheli-jonathan-llense\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Attention, collection\u200a\/ Augusta Lardy Micheli\u200a\/ Jonathan Llense - 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